The essence of Mike Leigh is simple. Take a bunch of assorted characters, all larger than life but all very believable. Throw them into a dysfunctional suburban nightmare, and just let them get on with. There’s little in the way of plot but oodles of insight into human nature, especially of the kind to be found in the neglected wastes of north London, with all its limited horizons. There’s a whole world out there, but they can’t see beyond the limits of their housing estate.

Everybody here shines. Alison Steadman as the tireless mother hen who laughs infuriatingly at her own jokes, and Jim Broadbent as her meek husband, a cook who dreams only of running a ramshackle hamburger stand. The terrible twins, Claire Skinner who crops her hair and works as a plumber and might go for a fortnight in America one day if she gets round to it, and Jane Horrocks in huge round glasses who doesn’t have a clue what she wants to be, except very, very angry. Steven Rea as a drunken wide-boy and, best of all, Timothy Spall’s gormlessly intense would-be restaurateur.

It’s all very theatrical. Stagey, I mean. It leaves you with the feeling that it ought to be played out in the round above a pub somewhere. Mike Leigh hasn’t, by 1991, quite found his cinematic feet yet, but he does a good job here. Very enjoyable. And totally bonkers.

The Searchers

It’s so easy to poke fun at John Wayne. He’s such an inviting target; his bone-headed stubbornness, his neanderthal attitudes, his apparently wooden acting. What’s harder is trying to explain how it is he turns up in so many excellent films, and not in minor roles either. Stagecoach and Red River are up there with the greats of any genre, and so is The Searchers.

The history of the Western has been about the America of the European settlers coming to terms with what it has done: what it has destroyed as much as what it has achieved. It’s been a hard lesson to learn, especially as the awful realisation of what was visited on the people who were already there. John Wayne fits into this history perfectly. He’s the embodiment of Manifest Destiny; the pioneer who ain’t gonna let nobody stand in the way of his fortune; the man who takes just what he wants and blasts away anybody who gets in his way. Even his own brother, if his brother has the woman he wants.

And he really hates Injuns. He lost his mother to them. He hates the red man so much that, when he comes back late from the Civil War and finds that his brother’s family have adopted as their own the part-Cherokee boy Marty, the look he gives would freeze whiskey in the full heat of noon in Monument Valley. He hates them so much that he shoots them in the back as they ride away from him. Some Hero of the Old West! He’s even determined to kill the niece he and Marty have been tracking for five years, taken by the Comanche, because she’s become assimilated with them.

Sure, it’s a dreadful thing that the Comanche torch the settlers’ homesteads with the settlers inside and abduct the children. But it’s also pretty bloody awful for the US Cavalry to charge through a tepee village on sight massacring men, women and children alike. And in the end it’s the Comanche who come out of The Searchers smelling sweeter. In 1956 America was waking up to what it had done to its indigenous people, The Searchers still has a touch of moral ambiguity about it, but the Western has come some way from Red River a few years earlier where cutting the throat of an Indian was no obstacle to being family entertainment.

It’s the ambiguity that made the ending, which I won’t give away, such a disappointment for me. It’s undoubtedly a great film, but for now it must yield to Red River the title of My Favourite Western.

Saturday Night Fever.png

I had never seen Saturday Night Fever before. Not when it was the big pop-culture phenomenon of early 1978 (only to be surpassed later in the year by Grease, which I did see at the time and will probably not be revisiting.) Not since, and with any luck I might have escaped forever. But then the estimable Popular site reached 1978 and this film couldn’t be ignored any longer.

One reason why I hadn’t been tempted before was my perception, not unique to me, that this was a bit of fluff designed to promote the then-hot disco movement in general, and the musicaol careers of Robert Stigwood’s charges in particular. A piece of product placement on what was then – a more innocent age when merchandising wasn’t the plague it is now – a more innocent age.

It seems I was wrong in my snap judgement, and that’s why Saturday Night Fever had to be worth a look.

And yes, this is a much more substantial film than the 1978 hype would have had you believe. Yes, the disco is at its core, and yes, there’s a lot of Bee Gees songs (and the Bee Gees, though never considered “cool”, could write damned good songs spoilt only by Barry’s put-on squeaky “disco” voice. It’s based on a Nik Cohn story in a New York newspaper and Cohn himself has admitted that he based it on the lives of West London mods, but there’s surely more than a slice of Alan Sillitoe here. Think of another classic film with “Saturday Night” in the title. Consider that this, too, is about a working-class lad in a dead-end job, whose family doesn’t understand him, who thinks he is god’s gift to women, whose life revolves around letting his hair down on a Saturday night on the local dancefloor. And hanging out with a gang on the edge of criminality, full of macho posturing. Get my drift?

There, too, is the immortal story: man can screw any woman he likes except the one that he really wants, who teaches him a few life lessons. Karen Lynn Gorney does this bit marvellously, saving the film from the kind of gloop I had feared, by managing to look great without being in the slightest glamorous.

It’s not that great a film but it;s not a bad one either. And there’s the dancing, which in the end really is what it’s all about. While there is some of the tedious macho strutting I was dreading, I found myself pleasantly surprised to see that much of the dancing was the sort of dancing I recognised; they probably wouldn’t have called it leroc but the moves sure looked like leroc to me, particularly those moves borrowed from salsa, And I can do that! Or I could before arthritis in the knees put paid to it.

Anyway, I’m glad I saw it. I may watch it again one day, but not for a while.

Whittaker Prize Round 5 story

Friday, 15 August 2008

(prompt: I’m not as dumb as you look)

GOING TO THE DOGS

I knew trouble the second I clapped eyes on it.

“Gordon H Bennett,” I says to Kevin when I saw the lad in the back seat of Kevin’s red Peugeot. “What’s he doing here? Riding shotgun?”

I couldn’t see the lad’s face. He had his head down so all I could see was a lot of grey hood. And his kecks. They were them baggy kecks, the ones with pockets in the legs, the kind that make them look like they didn’t make it to the shithouse when they walk, you know what I mean? He had one of them games that makes a lot of bleeps and whizzes and his hands were dancing over it like John Travolta in that old flick, what was it, Saturday Night Fever.

“Leave him be, Tel,” Kevin says. “This is Carl, our Sal’s little brother. She wants him out of her hair tonight”

“You pillock, Kev,” I says, “We’re doing business tonight. We don’t want nothing getting in the way. One slip and we’re toast.”

“He’ll be ok Tel,” Kevin says, “we just put him in front of the fruits and he’ll be as good as gold.”

“You hear that, Carl?” I says to the lad. “you stay out of the way and keep your nose clean, you hear?”

The lad didn’t move. Except his fingers, working away at the game. They were just a blur. Spooked me out they did, specially with all the bleeps.

“I said…” I started to say but then Kev gets uppity.

“It’s no good.” says Kev, ” he can’t hear you, he’s deaf.”

“What? A mutt?” I says. Kev leans over and taps Carl on the shoulder, and then the two of them are wagging their fingers at each other like a pair of tic-tac men only five times faster. I could see the lad’s face now, fresh as an April morning at Sandown Park before the bookies come and spoil it. I don’t know what the two of them were saying but it was bloody noisy. That sounds daft doesn’t it, neither of them made a sound but there was a lot of it, if you see what I mean, and the lad grinned and nodded a lot.”

“Here,” I says, “you’d better not be pulling a fast one Kev or both of you will be keeping the worms company tonight. What you say to him?”

“I said he could have a tenner to play the fruits or have a bet if he stays out of the way.” says Kev. “He’ll not be a problem.” I didn’t like it but we’d got too much staked on the business to stop there and then.

Anyway, Kev and me we get a stakeout by the window in the bar so we can clock what’s going on. And keep a special eye on Ted Danby’s pitch by the track. Rather him than me, standing out there with his trilby and his shiny mac calling the odds in the rain. Great stair rods, they were, shining in the track lights and hammering on the tin roof of the bar. It was a fine night for a conspiracy. Ours wouldn’t be the only business in town. But stick to the plan, keep a close watch on Ted Danby and don’t let anything distract you. That’s the only way to do it.

I have to keep half an eye on the lad Carl though. He was happy enough in the corner. He seemed close to the machine, hugging it to his jacket so that boy and machine seemed to become one. Every now and then the machine had a spasm of polite coughing. “Magic fingers, that Carl has,” I says to Kev. “We could bring him into the partnership one day.”

“He’s got a way with fruits, Tel, I think he fixes them. He’s not so dumb as you look,” says Kev.

I let that pass for now. The reckoning could wait. “Shut up and don’t take your eyes off Danby,” I says.

The Tannoy crackles out the call for the fifth race. Outside kennelmaids in Dayglo waterproofs parade their charges before the punters and lead them to the traps. One of those strange moments you get at dog tracks. It’s hard to describe. Nothing much changes and everything does. The level of chat in the bar doesn’t get louder or quieter, but it changes somehow. It’s more focused. And everybody turns to the window, everybody except the ones who are pouring into the rain regardless to see the action. For a few seconds the air is charged with electricity, and then the hare comes by and the traps rattle open and there are six dogs in pursuit. Christ, they’re beautiful, them dogs, when they’re running. Such grace! Such power! Fair makes me want to go straight when I see them like that.

But it’s only for a few seconds, thank Christ. Just as long as it takes for the dogs to go round the track a couple of times and then they have to be sorted out by their kennelmaids like the rabble they are. Mugs, they are, just like the punters. If they had any brains they’d cut across the track instead of chasing the hair round in circles. Cut the corners, grab your chances, that’s the only way to survive in this life.

The machine in the corner’s standing alone. “Where the fuck’s Carl?” I says, “Aren’t you watching him? I don’t trust him.”

“You said watch Danby. I ain’t got eyes in the back of my fucking head.” That Kevin’s getting a bit lippy if you ask me. But then he says “There he is, over there by the window.” And so he is. The punters are all going back to their drinks now that the race is over. But the lad’s still standing there, staring out into the night, at nothing. Well I couldn’t see much. Nobody with any sense was out in the open, except for two guys on the grass in the middle, huddled under umbrellas having some kind of a pow-wow. Trainers, owners maybe. Nobody I knew, none of the local business types, I know all about them. You don’t get business outsiders, not at a little track like this one.

So Danby’s chalking up the odds for the last race and I’m trying to watch every twitch he makes as well as watching Kevin to make sure he’s watching too. And so I don’t see the lad Carl go anywhere. All I know is suddenly he’s not at his post watching the guys in the middle any more, mainly because those guys aren’t there any more either, and he’s not standing at the fruit machine either, and try as I might I can’t see him anywhere and I don’t feel safe. So I says to Kevin, “Stay there and watch Danby cause I’m going looking for the lad. And I goes out into the rain, see, to rub shoulders with the punters chasing their crocks of gold like the mugs they are. Only the bookies ever win, but one bookie that night was going to get unlucky.

And then I sees Carl and where is he? He’s over by Ted Danby’s pitch and he’s waving his hands at the blackboard. This looks like a bad accident in the making so I ambles over so see what the lad’s up to. What he’s up to is grunting at Ted and pointing at a name on the board. Number five, ‘Proper Charlie’, it was, and the mutt probably was one if the odds on offer were anything to go by. “Don’t be daft,” I says to him as I pass, “that’s not a dog, that’s a malnourished donkey.” But of course he can’t hear me. “Well, it’s your money and it’s your funeral,” I says as I sidle off. Besides, we’d get the money back later. When I look back Carl is scooping handfuls of coins into a bag Danby is holding out for him.

Well, you know how word spreads in these places. The next time I pass Danby’s board the odds against Proper Charlie have shortened like a bishop’s plonker in a vice-squad bust. It’s the same all the way down the line of bookies. Something’s up, I thinks to myself, but I don’t worry too much because there are other things on my mind, so I go back to find Kevin, and to relief all round Carl’s back in the corner with the fruit machine where I can keep an eye on him.

But something’s making me want to keep an eye on that last race because there’s something afoot and I don’t want anything spoiling my evening. As the dogs streak by the stand on the first lap, Proper Charlie is lagging but he doesn’t look like an unhappy dog. Biding his time, more like, waiting for his chance. On lap two Proper Charlie is making his way through the pack, and by the finish he’s a couple of lengths clear. So that was it. A ringer.

Did Carl know something? Surely not. And yet there he was, the first to Danby’s pitch to collect, and Danby is peeling off rolls of smackers and giving them to him. But Danby doesn’t look happy, and neither does anybody else. And then it’s merry mayhem out there.

I nudge Kevin. “Go go go,” I whispers. We use the cover of a bunch of punters who know something’s hit them but don’t know what yet to move darkly amongst the pitches and up behind Danby. A quick check for Danby’s reckoner, who is busy with an angry punter, and then no words are necessary. Something hard pressed to the base of Danby’s spine is all Danby needs to tell him what’s required of him. Kevin’s got the boltcutters out and back up his sleeve again before you can say “steward’s enquiry” and the satchel is safe in his hands as that pressure on Danby’s spine gives him time to slide off through the crowd again.

It was just perfect. I couldn’t have planned it that way, and by the time Kevin is out of site the stadium is filling with sirens and blue lights that catch the slanting rain along with the undivided attention of the punters. I push my way towards the exit and then remember that Carl is somewhere around and he’s turning out to be a bloody liability after all. Where would he go? Back in the bar; he couldn’t keep away from those fruits could he? So I runs up the steps as best I can with all those punters coming down towards me, and I pushes my way into the building. There’s no Carl there, but there is a posse of dibbles, and it’s me they’re after.

Carl stood bail. He could afford to, he was the only one who cleaned up that night in the end. The dibbles spoke to Kevin and let him go, nothing to pin on him. Don’t ask me what he did with Danby’s satchel and a pair of boltcutters in the garage is just a pair of boltcutters in the absence of any other evidence. I was all for having his bollocks on toast for my breakfast but then he pointed out that it wasn’t clever to get on the wrong side of Carl in my current predicament.

“But how did he do it, Kev?” I asked.

“He knows how to fix a fruit machine,” says Kev. “And then he stakes the proceeds on an alleged no-hoper in the last race while he could get good odds. Simple, really.”

That didn’t even begin to satisfy. “That’s all well and good,” I says, “but how did he know Proper Charlie wasn’t a hopeless case?”

“A couple of men told him,” Kevin says.

I remembered the two guys on the grass in the middle of the track, in the rain. With umbrellas. They must have thought nobody could possible hear them out there. And inside my head somewhere, a fruit machine coughed a single penny into the tray.

“The little sod can lip-read!” I says.

“I told you our Carl wasn’t daft,” says Kevin.

tiffanys.png

Once there was a well-known model, a star of the roadside hoardings and the nocturnal fantasies of young men, who lived two floors up from us in Notting Hill. One warm evening as I sat out front having a cigarette, she came down to dump a pizza box in the bin, dressed casually and without makeup. In her natural state she was pretty enough, though more so than many others, but what struck me at that moment was just how brittle she seemed; so lonely and vulnerable underneath the glitz.

And so it is with Holly Golightly, the central character of Truman Capote’s novel, and the somewhat toned down (for understandable reasons) film of it. In the novel Holly is a prostitute. There’s no direct suggestion of that in the film but then a tart is a tart even when dressed up as a high-class escort, and we know that tarts have hearts by convention. Holly flits through her Warholian demi-monde with insouciance whether partying or carrying messages to a mobster in Sing Sing, in little black dress with iconic cigarette holder or draped in a bedsheet. But scratch the surface and there’s a different Holly. Behind the psychotic gold-digger there’s the country girl yearning for a rural Texan home, lost and lonely in the big bad city. This is the Holly that finds her counterpart in Paul, gigolo and washed-up writer, and if only she could see there’s more of a future for her there than in any number of ageing billionaires, well that’s the play.

I think we all see a bit of Holly Golightly in ourselves if we’re honest. If only we could look as good with it as Audrey Hepburn does. She not only looks gorgeous, she conveys that little girl lost feeling so well, alongside the quiet perceptiveness that only others can see. I can’t imagine this with Marilyn Monroe in the lead, as originally planned. Oh, and Audrey sings Moon River like a dream. Many better singers have taken on the song and failed to rise to the origional.

As an affectionate and often bitterly funny portrait of Manhattan it prefigures Woody Allen, and particularly Annie Hall, to a very satisfying degree (Diane Keaton, I think, would be a pretty good Holly). But if I could award a special all-time Oscar for Breakfast at Tiffany’s it would surely be to the ‘unnamed’ ginger cat, Cat (which is a name isn’t it? As in Cat Ballou?), for best ever supporting role by a cat. Narrowly pipping the cat in The Third Man I think.

Breakfast at Tiffany’s is one of the select band of films that can be guaranteed to wrench a tear or two from my eyes at the end.

Whittaker Prize 2008: Round 4 entry

Sunday, 10 August 2008

(Before anybody asks, there is no Round 3 entry. I sat out that round owing to illness.)

ROCKFALL (Prompt: going down an angle so sharp it makes Pythagoras puke)

“Do I have to go up there?”

Rachel tilted her head back and looked up. Before her the ridge struck upwards at an alarming angle, pimpled with jutting rocks and boulders and pock-marked with patches of crusty snow. Her legs seemed to have turned to a trembling jelly and beneath her ribs her lungs screamed “no more!” Some Historical Society weekend outing this was. Part of her mind was beginning to wish what she’d told Steve was the truth.

Craig was above her, one foot on a rock, looking down with a big silly smile on his face. “Twenty minutes, max,” he said. “You’ve done really well to get this far, Rach. You’ve done the really hard bit slogging up to here. Now the ridge should climb itself.”

“I really want to, Craig. But my legs are telling me they’ll strike if I push them any harder.”

“I love you, Rach.”

“I love you, too, Craig.” And she smiled, stepped forward, kicked her crampons into the ice and hauled herself up one step, pulling with her hands on the rock above. Craig was right. Now that she was climbing with all four limbs, it was easier than the long slog up the head of the valley. The way she was gaining height so quickly was exhilarating, too. One last haul. One last outcrop rounded, and the terrain flattened into a bare stony plateau. The wind, freed from all obstruction now, hurled itself at the mountain top so that Rachel, for an instant, was driven back on herself. Only with much stumbling and flailing of her arms did she manage to avoid an ignominious landing on her bottom, but Craig was there waiting with his arms held wide, so that she teetered forward into the warmth of his embrace. His mouth felt hot as it melted against her own.

“Are we alone then?” Rachel asked, pulling herself away from Craig’s face. She loved the way the wind picked up his long, fair hair and set it flying. She loved the way his blue eyes echoed the afternoon sky. She loved being with him, here, on this desolate mountain top.

“As alone as we’ll ever be,” Craig said. “In summer there’s a queue up the ridge, and the summit is heaving. But they don’t know what they are missing. Look!”

Craig unwound his arms from Rachel’s waist and waved a hand in a great sweep. Rachel tore her head from the comfort of Craig’s fleece and let her eyes follow the arm. In every direction, bathed in bright winter sunshine, lay succeeding rows of fells, a hundred shades of brown flecked with white and looking like toy mountains she could reach out and touch in the sharp crystalline air. Below, as if it were a puddle at her feet, Wastwater stretched along the line of the screes and pointed the way to the green coastal lands and the sea.

“What’s that over there?” she said.

“That’s the Isle of Man,” he said. “It’s about fifty miles away, but you could almost count the sheep on Snaefell. And that,” he swung his finger to the right, “is the coast of Galloway. And the other way you can even see the Welsh mountains. You won’t see that too often.”

Rachel cradled her head on Craig’s shouder. “I wish we could see our future as easily,” she said. “If I had a way of stopping time for ever, at a moment of my choosing, I’d choose now.”

Craig said nothing for a long time, but pulled her close and kissed her once more, slowly, succulently, and for an instant it seemed to her that her wish had been granted. Even the wind seemed to have frozen in its tracks.

“We have to go,” he said in the end. “If we’re to get back to the tent before it gets dark. And then…”

“And then we’ve all the time we need for each other.”

The sun was already dipping towards the sea. On the shadow side of the mountain it would soon be gloomy. Rachel heaved her pack onto her shoulders once more, and plodded off in Craig’s wake. There was a gully to descend, a steep and stony trail cascading between walls of slimy rock. Out of the wind it may have been but it gave off a chill that went right through all her protective clothing to the bone. It was not a place to be in bad light. She knew that a false step could meana twisted, or even broken, ankle, and help in this desolate place was a long way off.

“Rock fall,” Craig said, turning to face her. “Watch your step. It doesn’t look very stable”

The gully ahead was partly blocked by three or four large boulders; she saw one of them towering over Craig as he stood in front of it. From the way the broken faces of the rocks gleamed this was a fresh fall. The stagnant air of the gully was infused with an acrid, sulphurous smell, of stones struck together, that made her screw up her nose against it.

“Stay there,” Craig said. “I’ll go ahead and find the way through, and then I’ll call you.”

She watched him pass the biggest boulder to the left, then stepped towards a large flat rock at the side of the gully. It was slippery with algae; the ground vanished from under her and no amont of arm-flailing could stop her keeling over sideways, sending a shower of small stones tumbling downhill.

“Don’t make things worse,” Craig called. His voice seemed a long way off. Rachel sat on the flat rock and tried not to move as she watched Craig picking his way through the rockfall until he passed out of her sight.

The earth seemed to shudder. It was something Rachel could sense, but not see or hear, and it only lasted for an instant, but she could feel every muscle in her body clenching as if bracing itself for a crisis. Only then was a rumble, as if they were shooting over on the Eskmeals firing ranges. The big boulder seemed to stand up and flex itself, as if seeking a more comfortable position to sit, and then it was moving, shifting itself in slow motion a few feet further down the slope.

The sulphur smell intensified, ripping at her throat. And there was silence. Rachel breathed in, tuning her hearing to pick up the slightest sound. What she wanted to hear was the crunch of feet on stones, to know that Craig was still there, still moving about.

No sound came to her.

The light was failing. Above and behind her, shreds of cloud were drifting across the clear blue. A clammy chill seized her arms and insinuated itself into her windproofs. “Craig!” she called, and she heard the echo from the rocks but no answer from Craig. Rachel had felt alkone before; alone in her marriage to Steve, but for the first time in her life, she sensed what it was like to be completely, utterly, and helplessly alone.

She heaved herself to her feet. It was becoming hard to see the way past the fallen boulder in the growing shadow, but she inched her way towards it, feeling her way around the rock. Dread flooded her body, seeping up from her stomach. She wanted to screw her eyes tightly shut, the better not to see what she feared she would find, but she swallowed hard, breathed in, and edged around to the far side.

Her dread had steeled her. Craig was stretched on his belly, his head turned to one side, his face as pale as the moon against the damp rock. The lower part of his right leg was trapped under the boulder. There was nothing she could do to move it, not without the danger of the rock roll8ing forward and crushing him completely. Her first instinct was to check for a pulse. Her relief at finding one was tempered by the thought of the pain. Mercifully he was unconscious.

The blue had gone from the sky now, and fingers of mist probed the gully, bringing with them a fine drizzle. She knew the first thing to do was to keep him warm; the biggest danger in the fells was hypothermia, which crept up on you and made you feel warm and fuzzy and sleepy. His survival bag was strapped to his rucksack; it was a simple matter to unbuckle it and wrap it round him. The second thing was to fetch help, because there was nothing she could do for his crushed leg. That was a bigger problem. He had made her carry a whistle on a lanyard around her neck, and a torch in her own pack, but who was there to see or hear? In front of them, on this side of the mountain at the bottom of the gully, there was the empty expanse of Burn Moor, and the rugged desolation of Upper Eskdale. She doubted that there was even a shepherd out on those fells at this time of the day, of the year. She could try, but to have a real chance she needed to go back to the top of the mountain, alone and in the gathering darkness, mist and rain.

Six of anything, didn’t Craig tell her? Six flashes of the torch. Six long blasts on the whistle. She raised the whistle to her lips and blew as hard as her lungs would let her, but the mist seemed to soak up the sound like cotton wool. Again she blew. Three times, four, five, six. The breath drained from her body. A dull throb banged against her temples. Her arm seemed sapped of strength as she lifted the torch. When she pushed the button the mist lit up, punctuated by scintillations of ever more insistant rain. It was no good, nobody would see it here. She turned and looked up the gully, back to the top of the mountain, and the mountain frowned back at her, dark and fearsome.

“Here I come,” she muttered to herself, “for better or worse.”

Rain peppered her face and ran down her chin, seeking ways to penetrated her clothing and possess her. The rain made the stones of the gully even more slippery than they were before. Three times she slipped, sliding backwards down the scree and senting showers of stones tumbling down the slope. Once she landed face down on the bone-cold rocks. She closed down her mind, driving everything out of it but Craig, and by force of will-power she stepped out once more onto the summit. The wind was savage now, and she struggled to make headway, but she drover herself forward to the cairn from which she had looked on the Isle of Man. There was nothing to see now except a streak of paler grey over on the western horizon. Even in thick woolen gloves her hands struggled to grip the rubber torch. It took both hands to raise it and turn the light on and off, sweeping the beam six times over Wasdale and the neighbouring fells. The whistle stung her lips and clung to the flesh so that she felt a terror of the metal freezing to her mouth. The latest climb had sapped her breath leaving almost none for the six blasts, and when she had finished those she felt faintness wash over her. She wanted more than anything to sit in the lee of the cairn and rest, perhaps fall asleep, but she retained enough presence of mind to know that would be the last thing she’d ever do. Think of Craig, not me, she scolded herself. She’d done what she could. Now he needed her with him.

It was dark now. A black, enveloping, soggy darkness with no moon or stars. She had the torch and with that she could make her way down the gully, slowly and with infinite caution. The passage of time didn’t matter; she had lost all sense of that. It might be teatime or it might be nearly dawn, she didn’t care. All that mattered was getting to Craig as best she could, and if that meant easing herself down the scree on her bottom, then so be it. Inch by wet, miserable inch she crept downwards until she found the fallen boulder, and then she felt her way round to obstacle to find where Craig lay.

A new panic seized her. When her fingers found him, would he be as cold as the rocks now? It didn’t matter, she wouldn’t know; her gloves were sodden and inside them her fingers had very little feeling left. When she found his soft form she had just enough energy left to find her own survival bag, wrap herself in it, and lie down on top of him. He needed the warmth. She needed to sleep. She had just enough sensibility left to find his lips with hers, and to note with relief, before sleep seized her, that they were warm.

It took the roar of the helicopter to bring her round. The world was bathed in light that soaked through closed eyelids. Not the natural, healthy, light of the sun but the clinical glare of floodlights. She was lying down, wrapped in blankets and some kind of tin foil, and somewhere she could hear the crackly voice of a radio but the words made no sense to her. Her nostrils were full of the scent of wet grass. A woman’s voice cut through the murk as clear as a laser.

“You saved his life, you know.”

Whose life? It didn’t register. At last she forced herself to open her eyes. The woman standing over her had cropped, honey-coloured hair and wore a bright ornage jumpsuit. Next to her was the familiar face of…

Oh no!

Steve. Dear, kindly, dumb, Steve, smiling down at her, stupidly.

“I lied to you,” she said.

“You nearly died,” he said.

“I’ve been lying to you for years”

“That doesn’t matter. I’ll drive you home. You need looking after. We’ll sort things out later.”

She couldn’t look at him. Her head lolled to one side. She saw the stretcher, with Craig’s foil-clad body on it, being hoisted into the helicopter and she looked after it full of longing. The silence echoed around the fells.

“I’m not coming back,” she said.

“Rachel, he could have killed you.”

“Maybe,” she said. “But he showed me life. More life than you could ever give me.”

She looked at the woman in orange. “I’m going with him,” she said, with a flick of her head towards the helicopter.

And then she was being lifted into the air and carried towards the waiting helicopter, while Steve looked on with his mouth ajar.

Whittaker Prize 2008: Round 2 Entry

Sunday, 10 August 2008

A Vision of St Wilfred (Prompt: stained ground beside Forsbury Chapel)

Miss Maddox saw it first, just after the curate had finished saying Mass for the Feast of the Madonna of Macclesfield.

She and Miss Weatherby were hobbling down the south aisle of St Wilfred the Less, and as they squeezed between the pew ends and the scaffolding tower put up by the electricians working on the Reverend Bob’s new lighting scheme, she clutched at Miss Weatherby’s elbow and pointed with her stick at the flags by the Forsbury family chapel.

“Oh my goodness!” Miss Weatherby said. “It looks just like…”

“Shh!” Miss Maddox rebuked. “Remember where you are.” She hoped that the dim light of votive candles would conceal the burning of her cheeks.

Miss Weatherby told Mrs Dunston all about it as they queued together for their pensions in the Post Office. Mrs Dunston passed it on to her husband over freshly-backed fruit cake at tea-time. Mr Dunston carried it with him to the dominoes match at the Fox and Ferret. It came to the ears of the Reverend Bob the next morning, when he gave his talk to the Mothers Union about his vision for modernising the church and attracting fresh faces. He was, he mused, the last to know about these things, as usual. Nobody knows who told the Daily Comet.

Nobody owned up. Doreen Maddox said that she wouldn’t be in the least surprised if if wasn’t Mrs Dunston, the brazen hussy, while Peggy Dunston could be heard muttering to anybody who would listen that it was surely that infernal busybody Alice Weatherby. Miss Weatherby, for her part, was quite certain that the leak came from the Fox and Ferret, because that was the kind of low place where you would find the type most likely to read a rag like the Comet.
It was Mrs Dunston, while she was cleaning, who spotted the pert young woman with the long blonde hair and the fuchsia trouser suit checking into the Forsbury Arms. By switching off the vacuum cleaner to attend to dusting the framed hunting prints she was able to gather that the young woman’s name was Eleanor Pegg, the dark-suited, shadow-chinned man at he left shoulder was Brian something-or-other, and that the Daily Comet would be picking up her bill as arranged. That evening, the bar at the Forsbury Arms was fuller than it had been since the Spile Troshing last St Wilfred’s Day. The men had found the energy from somewhere to abandon their fireside chairs and walk the dog. The women were all filled with an irresistible urge to chaperone them. When Ellie Pegg shimmered into the bar the chatter stopped and every head turned as if some mighty hand had flicked a switch on a huge automaton. At first it seemed that Ellie would have nowhere to sit, and then twenty chairs were scraped back across the carpet as one. But Ellie didn’t stop. The throng of drinkers parted like the Red Sea for the Israelites as she strode straight for the front door, and in her wake a column formed that made a stately procession across the village green and under the lych gate to the west door of St Wilfred the Less where the Reverend Bob waited with his jaw sagging under his nose. The procession didn’t break step as it marched past him into the darkness of the church, up the south aisle to the gate of the Forsbury Chapel. Some of the more agile parishioners climbed up the electrician’s scaffolding tower; the remainder of the crowd formed themselves into the best semicircle they could muster in the cramped space. All of them made free with their opinion, for Ellie Pegg’s benefit as much as in hope of getting their pictures in the paper.

“The Lord is showing his anger at the desecration of His church,” somebody called.

“It’s them women priests that brought this down,” said somebody else.

“God is going to destroy us for our deviant ways,” another shouted.

Under the photographer’s floodlight you couldn’t see anything very much at all, really. Just a faint shadow of rusty red. But when the space was illuminated only by the flickering of candles, if you screwed your eyes up and used your imagination a bit, you could see something almost lifelike. If you tried really hard you could believe that it was moving in some kind of gesture. What exactly you could see was another matter. Some saw an arm stretched out in supplication, with fingers that wiggled and beckoned. Miss Maddox swore it was something quite different, but flushed red and stammered when invited to name it.

The picture editor at the Daily Comet had done a good job as it could with weak material. They’d held on to the story for a week for maximum impact, and broke it on the front page on the day of the critical House of Commons vote on the Public Morality Act. The Prime Minister, ravaged by plummeting poll figures and the collapse of the government’s coalition partnership, was staking his jaded reputation on a campaign for a return to basic moral principles. The Comet was throwing its crusading weight behind him.

“Have you seen this, Sir Hector?” said the Chief Whip. He’d made it his personal mission to prise the Honourable Member for Loamshire East from his armchair at the Athenaeum for the vote.

“Saw something in the Times about it, old chap. Seems there’s charabancs full of happy clappies pouring into St Wilfred’s and trampling on the family brasses. What nonsense!”

“People are saying it’s God showing his displeasure at the vicar’s modernisation scheme. Ripping out the organ and the pews and so on.”

“Rubbish! Sir Hector said. “You don’t believe that rot, do you? It’s a call to arms to the Forsbury family of course. Country’s going to the dogs. It’s up to me now, you know. I’m the last of the Forsburys.”

“It’s such a shame you couldn’t have children,” said the Chief Whip. “What was the story again? A rare tropical virus you picked up while you were with the army in Malaya? Ah yes. Well, we wouldn’t want any tales of your exotic adventures in El Salvador reaching your constituents, would we. Now, it’s time to be going. We’ve squared up Madam Speaker to make sure she catches your eye. I think you’ll enjoy the day out, don’t you?

The House was muted when Sir Hector Forsbury was called. Members hadn’t seen him in the chamber for so long they weren’t sure whether they were supposed to cheer or jeer. He creaked to his feet at the very back of the government back benches, cleared his throat, and began. “Honourable Members,” he wheezed, “will have seen in this morning’s Daily Comet…”

It had been a long time, but after forty-eight years in the House you never really forgot how to do it. Even if the young turks had their own ideas. And weren’t they getting younger and younger. Barely out of short trousers, some of them. Sir Hector was putting his final flourishes to his line about how even God, in his, Sir Hector’s, very own constituency; speaking indeed from his own family chapel,.was urging the nation to embrace the government’s moral stand. And then his voice broke off in a rattling snore before he crumpled into a heap. Convention decrees that nobody may die within the precincts of the Palace of Westminster. The whips wheeled him outside to the waiting ambulance, but not before they had wheeled him past the tellers to be nodded through the Aye lobby. Only after that could he be declared dead with full propriety.

The Reverend Bob was delighted to welcome Kelly Fisher, East Loamshire’s new MP, to the opening of the St Wilfred’s Ecumenical Centre. Hers had been a dramatic rise, and she had become, to her chagrin, the pin-up girl of the Daily Comet. When she won the seat narrowly at the by-election the government’s majority disappeared completely. Her Majesty’s Loyal Opposition immediately tabled, and won, a motion of no confidence and in the general election landslide that followed, Kelly Fisher secured a comfortable majority.

Meanwhile, the Reverend Bob was more than pleased with the way the designers had transformed the interior of the church so that the space could be put to much fuller use while still being sympathetic to the architecture. It had been a difficult decision to make; one he had prayed hard over, but he was convinced it was the right one.

As the new lights went on for the first time they turned the stone walls to a rich honey shade and made the gilded bosses in the ceiling twinkle like stars on a frosty night, drawing oohs of appreciation from the gathered audience. They caught something else, too, and the jag of bright light from the floor in the south aisle drew Kelly Fisher towards its source. By the entrance to the new coffee bar she picked up a shard of glass, like a very thin piece of mirror, and took it to show the Reverend Bob.

“It’s a piece of broken Thermos flask,” Reverend Bob explained. “The electrician dropped his tea when he was working on the lights.”

“So, the stain, the vision, it was tea?”

Reverend Bob nodded.

“And you knew all the time? Why didn’t you say anything?”

“We wouldn’t have had all this fun, would we?” He paused to sweep his arm around the church.
“We’d never have achieved any of this if I had, I think. And a great deal more besides.”

“You mean you set all this up?”

Reverend Bob winked. “God moves in mysterious ways,” he said.